If you were paying attention in June, you might remember that the album got delayed due to "pressing complications," but it was really because Stones Throw was served with legal papers. Legal papers saying "hey, fuck you, don't use my song" from a whiney little bitch named Cris Williamson. Maybe a label exec from the
Blind and/or greedy on Olivia's part, as people do tend to buy albums with sample sources, and how much do they really think they'd get from royalties on this?
Business decision or completely helpless on Stones Throw's part. It either cost too much to pay off Olivia, or it was completely out of their control. Most likely the latter, as they were apparently issued a cease-and-desist letter from good old Olivia Records.
The issue of sample clearance is a fucker. It's a moral, ethical, and most prominently a financial issue, but it's one that is usually seen as confined to the RIAA realm. Well, friends, indie labels can be fuckers too. Why they can't just take their 3 cents per sale or whatever the standard is these days ($0.09 maybe?) and let Stones Throw release a proper reissue is beyond me. They probably don't understand the music, which is odd, because it seems like an open lesbian in the 70's could associate with the "mostly shitty women" sentiment that Quas expresses towards the end of the song.
Regardless of motive, the Champion Sound reissue is unfortunately missing two of the original tracks, making it incomplete to an extent. The instrumentals are a great bonus, but the closer "Ice" is also absent, and the packaging claims that "Raw Addict" was previously unreleased on CD (funny, my original copy has it). So really, we're down 3 tracks, up "Pillz" and "Da Rawkus", a couple of new instrumentals and a handfull of remixes.
With the original beats for "The Red" and "No Games" the reissue would be a very welcome enhancement to a repressing, but without them, the release seems watered down or incomplete.
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